![]() ![]() If we send this file through a Rip then the Red and Reflex will separate as normal Spot but 873 and 877 will be converted to CMYK. As you can see the standard Reflex and 192 Red are normal but the 873 Gold and 877 Silver have some sort of square box extension added to them. Below is a screen shot of the swatch pallet in Adobe Indesign from an eps brought over from Illustrator. To resolve this we have been having to use Pantone solid coated swatches for all metallic and fluorescent inks just to get plate seperations as spot colors. If we send the Indesign files through a Rip with the swatches as they are now the Rip (Rampage) wants to convert these swatches into CMYK. ![]() If you want to use the industry-standard colors in future, you’ll need to pay a. Whatever the case, InDesign doesn’t let you change Pantone spot color names because they’re from a swatch library. Pantone colors have long been free to use in Photoshop, InDesign, and Illustrator but that’s now changed. Or perhaps you want to call it 7687Pantone so that it’s easier to see in a long list of colors. We need these swatches to act the same way as the standard swatches do for when these Indesign files are sent through a Rip to produce plates for a press. You’re using Pantone 7687, but you want to call it Dark Blue. Open the Window menu and choose Swatches to bring up the Swatches panel if it isnt already visible. Hello, I having trouble finding out why eps files made in Adobe Illustrator that have color bridge spot metallic inks assigned to them are not coming over correctly when the eps is then linked / placed into Adobe Indesign. How to set up spot (PANTONE) color in InDesign. ![]()
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